I decided to give it a go and buy a couple of rolls more during a trip to Spain and surprisingly it became one of my favorite (if not my favorite!)
films. Absolutely agree with comments above re starting with a known film, surely that's the only way you can assess your results, using a known standard. Long story short, it's a specific look and if someone doesn't like Portra, they won't like ProImage, and vice versa. Many people dislike Portra as well, they find it washed out and bland, yet it's as "pro" of a film as is possible. When you compare the two main players in the colour negative consumer film game, Kodak typically gives you warmer results than you get from Fujifilm stocks. . Giannis, thank you very much, very helpful.
Then there are the three I always see that don’t. Hallo Gast! The old emulsion used in this film allows for images with tones that remind a bygone era. If you look closely at the Kodak line of film stocks, you’ll notice most are lucky enough to wear the name Kodak Professional. Porta 400, Lomography 800 and the Fujis I mentioned do well when pulled one stop. In the photo above of people boarding a local ferry at the Gateway to India terminal in Mumbai, the actual subject, the people boarding, is slightly under-exposed, whereas the sky is considerably over-exposed.
I picture them like a gang, or a group of siblings.
The weather was cloudy so lighting was consistent for all shots and all … The end results of the Ultramax are far better than the Proimage, which is sold as a cheap budget film in India. Before that I’ve shot a lot of Agfa Vista 400, since it was discontinued I needed another cheap film to test my new-to-me gear. I’ve shot lately the C200 more & more and I must say it really is a great stock for very little money. In here, the developing mistakes that I mentioned before are more visible.
The enduring and storied Kodak Gold 200. Well, to the best of my knowledge, only cameraworkshopsg has it. Would you agree? Discussion in 'Color: Film, Paper, and Chemistry' started by M-88, May 15, 2018. If a place sells any film at all, there’s a good chance they’ll have this one. As per film, supply is never regular here. I’m not really sure why. But don't take as much liberty as, say, with Portra, overexposing habitually 2+ stops. Has anybody used the films in the topic, what are the advantages and disadvantages? The colour palette is very similar, Portra has more DR and slightly smaller grain (the 160 version). Mind you, after a stop of overexposure they start decreasing in saturation. Your needs may well differ from mine, so this test isn’t for everyone and shouldn’t be considered “definitive”.
I guess it’s great film to start for my home C41 development adventure, couple of this, ColorPlus and ProImage. Especially marketed to wedding photographers or social event photographers on a budget, in the past. Learn more. Exposure versatility: Designed for exposure by daylight and electronic flash. Emulsions continue to ripen after being coated, and film manufacturers often factor in a certain amount of storage time before shipping a batch of film out. My name is Dan Marinelli.
The saturation and colour balance I can deal with in PP but narrow dynamic range you can't do a lot about without making the image look over-processed.
Sometimes the rare E100 Ektachrome pops up.
The only question to ask yourself when deciding whether to use Kodak Gold film for your street photography is if you want this look. I think going for cheaper film is a mistake and I made it for the best of reasons. Don't start pulling and pushing until that is mastered for the same reason. I read, it’s good to overexpose these films, like 1/3 to full stop. If you do your street photography once the sun has gone down, illuminated by low levels of artificial light, you’re not going to get the best of what Kodak Gold 200 can offer. That and some other image qualities only add to the reasons why this was an ideal family holiday film. Check out the gallery for more shots taken with this film! Even being the cheapest film around, it will give great results. I found something even better than the Vista was!
I love the warm earthy tones of Gold. Yeah you could overexpose them a bit. If you have an account, sign in now to post with your account. I also found the sharpness more than acceptable and a fair amount of contrast too when I shot it in the afternoon sun. If you shoot in the daytime and are after a more sombre look, that warmness we talked about earlier might also mean this isn’t the film for you. With my second roll, my camera, a Nikon F100, broke down on me, leaving me with a mushed roll and overlapping images. When I first bought this film, I had a bad experience with the development.
Yellows tones are definitely my favorite part of this film. Gold 200 is also good for bright, colourful prints, great for enlargements, and gives high-quality results when scanned for digital output and great prints from digital zoom and crop images.
Nostalgy buy kodak gold200 and add fujicolor c200 to the basket to. The consumer film cousins. I have not tweaked this at all, apart from posting size. if the meter is fooled by some stray light or a strong reflection, and underexposes one stop, in reality it'll expose just right (or underexpose for half a stop), due to how I set up the ISO, so the shot will look ok. You could do that and shoot worry free. Through almost every frame of the film, there is a yellow/warm cast. There are waves all around the frame. I was a Kodak Gold 200 user forever. They also mention that wide exposure latitude from earlier, stating you get from two stops underexposure to three stops overexposure to play with. The Nissin made SF45 is far better with a nice rigid and non-wearing metal foot.
I don’t know if you’ve shot Kodak Gold 200, or plan to now having read this review. Blues are really vibrant and pleasant. All four films were shot on Olympus OM4 cameras, all of them were shot with the same lenses (interchanged between the bodies before making each shot). I bought Kodak Ultramax 400 to use with this. Find your perfect Leica or M-mount film camera with the help of this interactive tool & reference data, 65 photographic projects you can do when you’re stuck at home, Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home, How to make a TEXPan: shoot wide-format 35mm film in the Fuji GW690III rangefinder. You can click to enlarge this gallery. At 2,38 EUR (2,60 USD / 2,12 GBP) for 36 exposures, Kodak Gold is the cheapest film that I’m aware of here in Germany. Analog Workflow Forums (100% Analog/Traditional), (You must log in or sign up to reply here. Now I know: the Fuji. What's the cost difference against Portra when you want presumably to switch to that later? The very wide DR that you encounter in India and similar tropical countries and the difficulties of getting skin tones near correct, is why I avoid using my normal reversal film and use negative. It's smaller grain than the rest, and most importantly gives good/pleasing skintones, also a bit less saturated and contrasty than Gold/Colourplus. Your email address will not be published. Kodak ColorPlus 200 is the cheapest film offered by Kodak nowadays.
Ektar seems to have a noticeably wider dynamic range. Finally, does anything you see here make you want to switch? For color accuracy Portra or pro 400 is the way to go. Kodak ColorPlus 200 is one of the cheapest colour negative 35mm films still available.
Other than Fuji’s superior handling of reds, these two films produce nearly identical results.
View all photographs taken by EMULSIVE on 120 format film – 6×6, 6×7, 6×9, 6×12 and 6×17. Kodak Gold 200 Color Negative Film (ISO 200) 35mm 36-Exposures, 603 3997, A review of one of Kodak’s other cheap films, Check every single film review on My Favourite Lens, Multi-Project Shooting With a Lesser-Known Kodak Film [Kodak Pro Image 100], Sony Alpha A6100 vs A6400 vs A6600 Comparison – the Differences and Similarities, The Double Shanghai Film Photography Project [Shanghai GP3 100], The Best Mirrorless Cameras for Street Photography in 2020.
Maybe colourplus is a tiny bit grainier and contrastier, but nothing that stands out. Which of these two film stocks do you normally shoot? Blood-red Witchery: Portraits on Kodak AEROCHROME III color infrared slide film, Film stock review: Comparing Kodak ColorPlus 200 and Fuji Fujicolor C200, Blind film review #01: Fuji Natura 1600 vs Kodak Portra 800 vs Lomography Color Negative 800 (35mm), Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50 – by Gregor Sinclair, 5 Frames... Of 35mm film in a Russian 6x9 camera and Agfaphoto APX 400 (35mm Format / EI 200 / KMZ Moskva-2 + Industar-23 110 mm f/4.5) by Martin Nauhaus, 5 Frames (+1)... Of beautiful B&W flowers on ILFORD HP5 PLUS (35mm Format / EI 400 / Minolta X-700 + MD 50mm f/3.5 Macro Lens) - by Kathleen E. Johnson, 5 Frames... On the Buffalo River with ILFORD HP5 PLUS (35mm Format / EI 400 / Nikon EM + Nikon Series E 50mm F/1.8) - by Chase Taylor, 5 Frames... Of Edinburgh and Braemar on an emulsion I rustled up at the weekend (4x5 Format / EI <1 / Wista 45D + Nikkor W 150mm f/5.6) - by Roger Hyam. The end results of the Ultramax are far better than the Proimage, which is sold as a cheap budget film in India. However, the results are amazing for a cheap, multi-purpose film. You can check the current prices and availability through the links below. Required fields are marked *. Did you feel the Gold would be better than Colorplus? Also, this is just my opinion.
That warmness also makes it ideal for keeping happy memories on it. The wide exposure latitude means I can trust my in-camera light meter and just fire away, and the low cost of the film means it doesn’t matter too much if some shots do get messed up or I feel the need to take them more than once.eval(ez_write_tag([[336,280],'myfavouritelens_com-banner-1','ezslot_14',115,'0','0'])); For what these shots are, which is a bunch made on a casual afternoon walking around my neighbourhood, and for the price of the film they were shot on, I can’t be unhappy with how they came out. This review is of the middle of the three. If you’re shooting something like Ektar, you’re probably not hoping for too much of a retro look. Thank you,especially for the relalife yet comparable test conditions with the same camera-lens combination. Fuji C200 Vs Kodak Colorplus 200 Battle Of The Cheap S Fujicolor c200 vs kodak colorplus 200 showdown you foroffice kodak colorplus 200 vs fujicolor c200 foroffice kodak gold 200 vs fuji c200 we compare fujicolor 200 vs professional grade ektar 100. It is almost the same camera as the very fashionable and expensive Contax T3 but with a blobby aluminium instead of square edged titanium body. “Quality-wise” is supposed to be below the Kodak Gold 200, however, I don’t believe that is complely true.In fact, ColorPlus 200 is a highly underrated film.
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