In chapter two of Joseph Conrad’s Heart of Darkness, the main character's sense of distaste and uncomfortable awareness of a bond with the natives is effectively conveyed though the manipulation of diction and syntax.

The “darkness” of the two stories confirms that people have no control over nature and themselves, as it is an unknown world that must be carefully studied and explored. Poignantly, in Congo, he realizes that, the uncivilized Natives, perhaps, have more common sense than the Europeans who came to enlighten them. Therefore, this essay reviews the theme of colonization or limitation of one’s existentialist ideas as depicted in ‘The Metamorphosis’ and ‘The Heart of Darkness’. Marlow’s mission in finding Kurtz is to find his self.

However, Conrad clarifies the given issue pretty soon, explaining that the causes bringing the Europeans to the uncharted lands are far from being noble: “They were conquerors, and for that you want only brute force — nothing to boast of, when you have it, since your strength is just an accident arising from the weakness of others” (Conrad 9). Marlow takes note of the reality of colonization upon observing physically exhausted individuals working under dehumanizing conditions, co-workers who can get away with almost anything in order to please their bosses, earn additional profits and gain recognition, and colonized people who are literally shackled to generate more profit (Conrad 33). Throughout this sentence, diction also plays a very important role in conveying the main character's attitudes towards the natives. Even the way in which Marlow talks about the ‘Intended’ depicts how weak and subservient women were. In many cases within the vast realm of literature, an author will use multiple methods in order to convey certain messages. In Conrad’s work, ‘The Metamorphosis’, we note that Gregor’s family members including his boss impose certain constrictions in his life, and thus they force him to forego or ignore certain values of his life. Well, you know, that was the worst of it- this suspicion of their not being inhumane.” In this line we take a glimpse through Marlow’s eyes, the see that he is scared because of these creatures, these dark entities are in fact human. Kurtz succumbs to savagery but on the other side of the world, his intended is still holding to the illusion of his portrayed European self. In general, Marlow’s narration emphasizes the fact that there was a trail of darkness for Europeans and they ought not to have colonized the Africans with such cruelty (Conrad 76). F v w y ‚ “ The imagery in this passage puts a picture in your mind of darkness, chaos, as if beats are strutting about and dancing. He had the chance to go mad, to live a simple life, to dance on the shore with the savages, but he chose not to. He says, "What thrilled you was just the thought of their humanity-like yours-the thought of your remote kinship with this wild and passionate uproar" When he uses the word " kinship" he is basically saying they have a sharing of characteristics.For Marlow, the "pilgrims" and the "savages" are linked together by the one thing they have in common – their mortality. Most of the women are also voiceless. I also liked how you connected that to Marlow's perspective and how the particular use of that word, or diction, made Marlow feel and react. He seems to be seperating idea of man vs. beast, light vs dark, and civilized vs. uncivilized with these words.

This is evident with characters acting as the protagonist in both novels to contrast their own beliefs and the reality.

The fact that two people are lonely, even though being very close, shows how the surrounding conditions can be alienating to humans.

With these civilizations far more advanced how is it possible that they needed to be civilized? However, little did Gregor know that his metamorphosis will push him away from his family who will come to shun him and wish that he was dead. The author also symbolically uses some characters. Bruffee’s understanding implies that the text itself involves a self gained knowledge by Kurtz on man’s deficiency which comes out as both rewarding and disappointing (Bruffee, 64). To give you chills and make you afraid. Its structure is that of a frame tale where a story is told within a story. He also emerges to hold very unique values from the rest of his European counterparts, the Belgians.

The nature greatly overpowers humans and commands them to turn back with many signs but nonetheless, they persist, as Mr. Marlow has an important mission. On the other hand, girls still fantasize about boys they like. Silko bases her work on traditional Native American stories, using narrative techniques that emphasize Tayo’s individual belief in relation to their communal aspects. Primarily Conrad is discussing the natives in Congo and from there he is noticing somewhat of a bond, although he is distasteful of their culture, between his humanity and theirs.

Thus, the question of what the European people were targeting at when heading for the wilderness of the continent remains open. "They were not enemies, they were not criminals, they were nothing earthly now, nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom.

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