Fans were supposed to get Lil Uzi Vert’s Eternal Atake two years ago but, for a while, it seemed possible that the Philly native’s highly-anticipated sophomore studio album may never materialize. She has always made transparency her strong suit, but Chilombo expounds on her candidness and shows that post-breakup, she is more comfortable with herself than ever before. The album doesn’t really gain momentum until “Scared To Love,” 12 minutes in. Hov’s flows are more stunning and polished, while Jay Elec’s delivery sounds a bit rusty – but lyrically, they’re similar quality with different goals. Aiko’s first full-length album, Souled Out, came exactly one year later and dove deeper into existentialist thought. But the expected debut album, Act II: Patients of Nobility (The Turn), never arrived. You're far too kind you, and you, and you. Questlove said the album was done, but Jay-Z held it up due to the lack of a clear-cut single. Plus, Jay Electronica's open book history may have worked against him here - he's revealed so much of his life before on wax, and this doesn't have the same autobiographical feel that other memorable debuts have had. Eternal Atake shifts sonically and tonally after the first six songs, making way for Uzi’s second persona, Renji, the emo counterpart to Baby Pluto. The timing of the release couldn’t be more perfect. Transforming into a version of himself that more aligns with his rapper/rockstar persona, Uzi approaches the ship, followed by a cult of women. After Hours takes place over one night in Las Vegas, as Tesfaye’s narrator indulges in sex and drugs until the sun rises and he’s sick of both. Uzi’s range of emotions has garnered hits (“Xo Tour Lif3”) and inspired memes (“Do What I Want”) for years, gaining the attention of even the most casual fan. However, the tale that Aiko is about to narrate serves as the opposite of tranquility: “There was a woman born from a Lotus/Her heart was golden, deep as the ocean/And then this one man, he came and broke it/’Til it was open, just like a Lotus/Oh, yes, there were explosions/She found her focus, the beast awoken.”, As the story unfolds, Aiko delves into her amorous dilemmas on her “Triggered (freestyle)” in which she gleefully trades in an amicable ending for pure revenge: “Cause when I get mad/I get big mad/Should have never did that, get back/’Bout to feel the wrath of a menace.” Her pleas go from contained to completely unyielding; the hurt and anger she’s experienced at the hands of a careless lover have seemingly laid the path for destruction. “Slayer” proves that the brightest future for Uzi sounds like what he’s already perfected. He does this on “The Neverending Story” with dazzling results, using a somber, piano-laced Alchemist beat to unpack his narrative in a tangible way. Reality is not my move.” In a period of increased anxiety and uncertainty when everyone seems to be holding their breath for the next tragedy, Eternal Atake offers a temporary reprieve. The feeling of doomed romance adds sizable emotional depth to The Weeknd’s songs. Beyond the sales, and regardless of how you feel about the album musically, there is no denying the impact that Uzi has had on the rap game, and on an entire generation of kids. It also encourages them to make that dreaded first move on a potential lover. Not a rockstar, not one of the hottest rappers in the game, but just Symere Woods, the kid in Francisville who liked listening to Marylin Manson and Wiz Khalifa. … ‘Cause he's so much of a planner and a tactician, and I learned that later on.” Badu took it a step further. But as she goes through the motions of misery, it’s clear that stepping into the woman she is meant to be actually becomes her saving grace. “Happiness Over Everything (H.O.E)”, alongside Future and Miguel, strives to be an ambitious anthem that empowers women to embrace their sexuality. But his favorite song from Prince was not “Raspberry Beret;” it was “Sometimes It Snows In April.” If Jay Electronica has told us anything throughout his enigmatic career, it’s that he works on his own terms. Tesfaye first rose to prominence in 2011 by anonymously self-releasing three mixtapes, later collected into Trilogy by label Republic Records. He started rapping under the name ‘Vert’ which he himself says stands for ‘vertical’ meaning his ambition to move upwards. On “Universal Soldier,” he addresses feeling unloved by Allah, while cleverly rhyming and contrasting Chessimard (freedom fighter Assata Shakur’s surname) with Pablo Escobar. He slows down long enough on “You Better Move” to make sure you can catch his wordplay. Despite his personal demons and the repeated delays, fans and peers still love Jay Electronica. For a few years, Jay Elec lived up to expectations: his 2009 single, “Exhibit C,” made him a star; many believed he was the next Nas. The first verse invokes lost faith, purple rain, molly, cocaine, and blunts in the span of seconds. And that will always be her most admirable trait: the way she wears—and covets—authenticity like a second skin. He signed to Atlantic Records in 2015, and garnered music industry attention upon the release of his debut single, Money Longer, in 2016, which went on to be a double platinum selling track. While it’s easy to dismiss the album as Jay-Z “outshining” Jay Electronica, it’s more of a difference of styles. The most quintessential Weeknd lyrics can feel sophomoric or profound, depending on your mood and mental state, and “Faith” is full of them. The introduction, “Lotus,” comes off as sonic serenity complete with lugubrious piano chords. Jhene Aiko attends the 2019 CFDA Awards at The Brooklyn Museum on June 3, 2019 in New York City. She basks in the limelight because of its warmth and the fact that she knows that she is never alone; her legion of loyal listeners continue to stand by her side knowing Aiko is as human as they are. Being the third voice on your debut album nearly two minutes into the second track could be seen as gun shy or egoless, with either of those perspectives bucking the assumptions that come with such a long-awaited record. He’s making the culture come to him, not the other way around – and his art will last longer than he made us wait for it. Releasing an album ten years after announcing your debut is already questionable; and including a song on it that dropped 11 years ago is even weirder. His status as a force in Hip Hop is secure. It helps offset the callousness of lines like “So much pu**y, it be falling out the pocket.” Still, it’s an easier listen than some of the imagery from his Trilogy era, where his decidedly less lucid narrators boasted “if she stops, then I might get violent.”. He wasn’t friends with superstars, he didn’t have the attention of the world, and he was most likely eating Poptarts at the crib, just rapping for fun with his friends in Philadelphia. After all, he begins the album singing “I’m living someone else’s life.”. Uzi at the peak of his commercial power tends to channel rock — “XO TOUR Llif3,” “The Way Life Goes” — while imbuing it with a his winning sense of chaos. In the final shot, he ascends into the hovering ship, his arms outstretched in an image that recalls religious imagery. Lil Uzi Vert performs during the TIDAL's 5th Annual TIDAL X Benefit Concert TIDAL X Rock The Vote At Barclays Center - Show at Barclays Center of Brooklyn on October 21, 2019 in New York City. However, a cliché chorus (“I hope she don’t think that I think she some kinda ho/I don’t care, that just lets me know that she knows what she wants)” coupled with Future likening himself to Jesus Christ makes the song feel too cheesy to stick.

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